我向你保证，现代足球不喜欢被垄断，也不会一直被垄断。
在本周的赛前发布会上，利物浦主帅克洛普吐槽了繁忙的赛程。
Trevor is between jobs. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (hes not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons return is just the beginnings of Trevors problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.
王柯静导演的《出游》（A Walk Down Memory Lane）获年度剧情短片，黄悦导演的《最终稿》（ Final Draft）获年度动画短片，赵丹阳导演的《最后一天》（An Excessive Day）获EYE 虚构短片，仲晴暄导演的《明暗之间》（Twilight Zone）获年度纪录短片，杨皓导演的《野生导演》（Fanatical Monologue）获EYE 非虚构短片，张笑寒导演的《她消失那天》（The Day She Disappeared）获年度艺术短片，葛霈导演的《门》（The Gate）获EYE艺术影像短片，关天导演的《捉迷藏》（Hide and Seek）获委员会选择短片，丁凯导演的《向阳》（Sunflower）获年度商业短片，刘宽导演的《如果可以》（Only If Possible）获观众选择短片
